People take pictures as an Airbus Beluga XL transport plane lands during its first flight event in Colomiers near Toulouse, France, July 19, 2018. The Beluga XL, the new cargo plane of the Airbus family has taken off from Blagnac, in the south of France, for its first test flight. The launch of the aircraft triggered thunderous applause in an audience of more than 10,000 people, mostly employees and subcontractors of the European aircraft manufacturer. (Photo by Regis Duvignau/Reuters)

If we were to burn NH4Cr2O7 with HgSCN in the Dark Ages in Europe and show it to anyone, it is us who would be burning next on a fiery cross of Inquisition. And it’s no wonder, since this experiment produces a truly marvelous result. At first, as you ignite the mixture of NH4Cr2O7 and HgSCN, all you can see is that it is slowly burning with a reddish flame. After a while, however, a crater is formed in the middle of the burning pile, and then, suddenly, tentacle-like appendages start sprouting from the burning mixture. And you can almost hear the scream of the mad occultist – “Come forth, Kraken! Come forth!” But of course, this is simply a chemical reaction that is called the "Pharoah's Serpent". It was also often sold in firework stores until people realized that it was toxic.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

We – Verena Popp-Hackner and Georg Popp - are professional landscape photographers. While we are based in Vienna/Austria, running our own (rights managed) image library and a small but fine photo-gallery. Photographing our tiny country Austria, with all it's culture and nature, canoeing it's rivers or lakes and hiking the Alps is our profession but our photographic “backyard” includes the rest of the planet as well. We use analog large format cameras almost exclusively for our landscape work, shooting on 4x5” sheet film, to provide clients with the maximum of print-sharpness and details and unsurpassed clarity and depth of focus.

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

Each day as we look in the mirror, we think that we know ourselves. We are used to the image that we see before us, but the mirror can show us much more than we ever hoped to see. Sometimes it only shows basic emotions, while at other times it can highlight the deepest crevices of our soul. If you wish, in the reflection of the mirror you can see your deepest thoughts, masks that you wear every day, your desires, and of course the people that you think about. But are you brave enough to look deep within your soul? Will you dive headlong or shy away from your true image? Those that will muster up the courage necessary will realize it was well worth the effort. (Photo by Devin Mitchell)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)