Members of the public take photographs following the unveiling of the 2024 Christmas jumper design on the animatronic Tyrannosaurus rex at the Natural History Museum, on November 12, 2024 in London, England. The annual event is the launch of the museum’s Christmas events and sees the latest design going on sale to visitors. (Photo by Leon Neal/Getty Images)

Vogue dancer Xiong Daiki, 22, takes a video of his team to promote vogue dancing, almost a year after the global outbreak of the coronavirus disease (COVID-19) in Wuhan, Hubei province, China on December 15, 2020. During lockdown, Daiki, his students and friends practiced at home in their bedrooms, staying in touch by sharing videos of new dance routines. (Photo by Aly Song/Reuters)

Artists perform near a Soviet-era monument during celebration of Maslenitsa, also known as Pancake Week, which is a pagan holiday marking the end of winter, in Yevpatoriya, Crimea on March 14, 2021. (Photo by Alexey Pavlishak/Reuters)

Race fans watch from the grandstands as Air Force One circles the Daytona International Speedway as President Donald Trump makes his arrival to attend the NASCAR Daytona 500 auto race at Daytona International Speedway, Sunday, February 16, 2020, in Daytona Beach, Fla. (Photo by Jim Topper/AP Photo)

A Tibetan man stands nearby as a young tourist poses for photos on a white yak at the shore of the lake in Namtso in western China’s Tibet Autonomous Region, as seen during a government organized visit for foreign journalists, Wednesday, June 2, 2021. (Photo by Mark Schiefelbein/AP Photo)

A fisherman sorts his net next to the 37-meter-long “KAWS:HOLIDAY Companion” inflatable sculpture in Tsing Yi, Hong Kong, China, 21 March 2019. KAWS:HOLIDAY, made by US artist and designer Brian Donnelly known professionally as Kaws, will be displayed in Hong Kong's Victoria Harbour from 22 to 31 March 2019. (Photo by Jerome Favre/EPA/EFE)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

The double compound eyes of a male St. Mark's fly (Bibio marci), submitted by Dr. David Maitland from Feltwell, UK. (Dr. David Maitland)