English actor Emma D’Arcy, English film and television director of Argentine origin, and former storyboard artist Miguel Sapochnik, and Australian actress Milly Alcock pose with the award for Best Television Series in Drama for “House of the Dragon” at the 80th Annual Golden Globe Awards in Beverly Hills, California, U.S., January 10, 2023. (Photo by Mario Anzuoni/Reuters)

The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)

A general view of dried-up rivers in the Pilbara region of Western Australia December 2, 2013. Western Australia's Pilbara region, which is the size of Spain, has the world's largest known deposits of iron ore and supplies nearly 45 percent of global trade in the mineral. (Photo by David Gray/Reuters)

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

Wang Zhengqing, a 74 year old pneumoconiosis patient, smokes his pipe at Yangjia Hospital in Wuyi County, Zhejiang Province, China October 19, 2015. Former miner Wang was diagnosed with the disease, which is caused by dust inhalation, when he was 24 and has lived at Yangjia Hospital for ten years. (Photo by Damir Sagolj/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.