Actors perform as zombies during the “Train to Apocalypse: No Way Out” event at a Light Rail Transit (LRT) train station in Jakarta, Indonesia, 13 July 2024. The Indonesian capital's LRT operator modified train stations into zombie apocalypse settings to promote the use of public transportations and entertain the commuters. (Photo by Mast Irham/EPA/EFE)

Devotees pour water on a revered Bodhi tree at Shwedagon Pagoda to mark Buddha's Birthday, which falls on the Full Moon Day of Kasone, in Yangon on May 11, 2025. (Photo by Sai Aung Main/AFP Photo)

A Construction worker pinging the eye of a large woman Hanfu sculpture in front of the Hong Kong Skyline on September 28, 2025 in Hong Kong. (Photo by Vernon Yuen/Nexpher Images via ZUMA Press Wire/Alamy Live News)

Members of the Washington Commanders Command Force dance during a timeout against the Seattle Seahawks during the second half at Northwest Stadium in Landover, Maryland on November 2, 2025. (Photo by Geoff Burke/Reuters)

Chinese women ride a bicycle together on a street September 10, 2014 in Beijing, China. (Photo by Kevin Frayer/Getty Images)

A woman jumps as a friend (not seen) takes a photo in front of a large drawing of Pope Francis depicting him as a superhero near the Vatican January 29, 2014. The Argentinian Pope is shown taking off into air with his right fist clenched in a classic Superman style. (Photo by Alessandro Bianchi/Reuters)

A participant of the sled dogs race in action with the dogs in Stroehen (Lower Saxony), Germany, 18 October 2015. It is the first round of the North German Championship. (Photo by Peter Steffen/EPA)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)