Staff members for U.S. Sen. Jeanne Shaheen (D-NH) push a stuffed moose into their office on Capitol Hill on June 11, 2024 in Washington, DC. A stuffed moose named “Marty the Moose” and a stuffed bear named “Kodak the Bear” will be on display in Shaheen's office as part of the thirteenth annual Experience New Hampshire event. (Photo by Andrew Harnik/Getty Images)

American actress Anya Taylor-Joy attends the Australian premiere of “Furiosa: A Mad Max Saga” on May 02, 2024 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)

A Cavalier King Charles Spaniel competes in the Masters Agility Championship Finals competition during the 141st Westminster Kennel Club Dog Show in New York City, U.S. February 11, 2017. (Photo by Brendan McDermid/Reuters)

Joe Deedon, president of TAC ONE Consulting, demonstrates searching for a shooter in a middle school during an Active Shooter Response course offered by TAC ONE in Denver April 2, 2016. According to TAC ONE, the course, which is offered for the first time to concealed weapons permit carrying civilians, is designed at preparing people to effectively save lives prior to the arrival of law enforcement at an active shooter incident. (Photo by Rick Wilking/Reuters)

Visitors observe the sculpture “That Girl” by U.S. artist Paul McCarthy, at the Hyperrealist Sculpture 1973-2016 exhibition in the Museum of Bellas Artes in Bilbao, northern Spain, July 27, 2016. (Photo by Vincent West/Reuters)

Aerial photo taken on March 4, 2017 shows cole flower fields in Luoping County, southwest China's Yunnan Province. (Photo by Xinhua/Barcroft Images)

The sun rises between Sgurr nan Gillean and Knight’s Peak, Black Cuillin, Isle of Skye. (Photo by Adrian Trendall/Mountain Photo of the Year)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)