A glamour model Lacey Banghard attends a photocall for PETA to encourage pet owners to have their cats and dogs sterilised at Picadilly Circus on January 22, 2013 in London, England. (Photo by Ben Pruchnie)

South Korean prostitutes hide their identities as they participate in a rally on September 22, 2005 in Seoul, South Korea. Prostitutes rallied against government law aimed at the s*x industry. (Photo by Chung Sung-Jun/Getty Images)

Ultra-Orthodox Jewish men prepare matza, traditional unleavened bread eaten during the upcoming Jewish holiday of Passover, in the southern city of Ashdod April 17, 2016. (Photo by Amir Cohen/Reuters)

American photographer Doug Perrine, 60, snapped the shots last year while the False Killer Whale was out hunting for food. (Photo by Doug Perrine/Iber-Press)

In this November 9, 2014 photo, a man sits on the rope holding his bull by the neck as he waits to enter it in a bull fight in Leogane, Haiti. The obscure Haitian practice of fighting bulls is brutal like a cock or dog fight, but on a larger scale. A casual pastime for some rural men, it is serious business for others looking to pay their children's school fees or even buy a car. (Photo by Dieu Nalio Chery/AP Photo)

A woman looks at the honour guard soldiers marching at the Tomb of the Unknown Soldier by the Kremlin wall, in downtown Moscow, on June 28, 2021. (Photo by Alexander Nemenov/AFP Photo)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)

Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)