Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

People are captured by FLIR (Forward-Looking Infrared) HD Thermal Imaging Cameras as they walk near the FLIR exhibit at the Las Vegas Convention Center during CES 2019 in Las Vegas on January 10, 2019. (Photo by David McNew/AFP Photo)

An artwork called “McJesus”, which was sculpted by Finnish artist Jani Leinonen and depicts a crucified Ronald McDonald, is seen on display as part of the Haifa museum's “Sacred Goods” exhibit, in Haifa, Israel, Monday, January 14, 2019. Hundreds of Christians calling for the sculpture's removal protested at the museum last week. (Photo by Oded Balilty/AP Photo)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

A dog walker on Longsands beach before sunrise in Tynemouth, UK on April 1, 2016. (Photo by Owen Humphreys/PA Wire)

Life-size sеx dolls are displayed during the 2016 AVN Adult Entertainment Expo at the Hard Rock Hotel & Casino on January 20, 2016 in Las Vegas, United States. (Photo by Gabe Ginsberg/FilmMagic)

A fox pounces on a mouse in the snowy hills on the border of the Czech Republic and Slovakia. (Photo by Johnny Krüger/Mediadrumimages)

Laura Ford’s 1991 sculpture Twiglet has been installed at Thirsk Hall Sculpture Garden, North Yorkshire, UK in the last decade of April 2024. (Photo by James Glossop/The Times)