Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

This handout photo taken on February 12, 2017 and released on February 16 by the International Federation of Red Cross and Red Crescent Societies (IFRC) shows Mongolian herder Munkhbat Bazarragchaa (C) dragging two sheep – which recently died due to the weather - to a pile of dead animals behind his “ger” in Khuvsgul province, northern Mongolia. Thousands of Mongolian herders face disastrous livestock losses from dreaded severe weather known as the “dzud”, the Red Cross said on February 16, 2017 in launching an international emergency aid appeal. (Photo by Mirva Helenius/AFP Photo/IFRC)

Mature woman lying on bed, rear view. (Photo by Andersen Ross/Getty Images)

Have you ever tried painting with light? Yes, you’ve heard us right. It is not a figure of speech, and it is actually possible to draw with light if you have a good camera and a tripod. All you have to do is to set your camera on a tripod in a dark place (preferably at night in some park), set exposure time to the max, turn on a single bright light (the screen of your mobile phone will do), and you can start painting. Darren Pearson is a photographer who specializes in making such drawings. The level of intricacy with which he creates his paintings is astounding, considering the fact that making such a drawing is like painting with a blindfold on.

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

Its your big day, youve spent months planning every last detail of your wedding and youre just about to capture the moment perfectly on camera whenyoure upstaged by a grinning donkey. At least thats what happened to these poor couples who were dramatically photobombed by a whole host of camera-hogging animals on their special day.The hilarious snaps show a series of irate brides being upstaged by everything from a cat to a camel and a dog to a donkey. Here: A donkey photobombs a bride on her wedding day. (Photo by Caters News Agency)

Photographer John Maher, once the drummer with punk bank Buzzcocks, travelled to the Outer Hebrides to photograph abandoned crofters’ cottages – many of which, like this one, have seemingly been untouched since. Here: “Peat Fire”. Taken in March 2013 on the east coast of Harris. The fire is from muir-burning, when farmers burn off grasses and heather to improve grazing for their sheep. (Photo by John Maher/The Guardian)