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Ivan Shamyanok, 90, shaves in his house in the village of Tulgovichi, near the exclusion zone around the Chernobyl nuclear reactor, Belarus March 15, 2016. “My sister lived here with her husband. They decided to leave and soon enough they were in the ground ... They died from anxiety. I'm not anxious. I sing a little, take a turn in the yard, take things slowly like this and I live”, he said. (Photo by Vasily Fedosenko/Reuters)

Ivan Shamyanok, 90, shaves in his house in the village of Tulgovichi, near the exclusion zone around the Chernobyl nuclear reactor, Belarus March 15, 2016. “My sister lived here with her husband. They decided to leave and soon enough they were in the ground ... They died from anxiety. I'm not anxious. I sing a little, take a turn in the yard, take things slowly like this and I live”, he said. (Photo by Vasily Fedosenko/Reuters)
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27 Apr 2016 09:50:00
A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)
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04 Aug 2016 12:34:00
This October 25, 2014 photo provided by the U.S. Geological Survey shows lava flow advancing across the pasture between the Pahoa cemetery and Apa'a Street, engulfing a barbed wire fence, near the town of Pahoa on the Big Island of Hawaii. (Photo by AP Photo/U.S. Geological Survey)

This October 25, 2014 photo provided by the U.S. Geological Survey shows lava flow advancing across the pasture between the Pahoa cemetery and Apa'a Street, engulfing a barbed wire fence, near the town of Pahoa on the Big Island of Hawaii. Dozens of residents in this rural area of Hawaii were placed on alert as flowing lava continued to advance. Authorities on Sunday, October 26, 2014 said lava had advanced about 250 yards since Saturday morning and was moving at the rate of about 10 to 15 yards an hour, consistent with its advancement in recent days. The flow front passed through a predominantly Buddhist cemetery, covering grave sites in the mostly rural region of Puna, and was roughly a half-mile from Pahoa Village Road, the main street of Pahoa. (Photo by AP Photo/U.S. Geological Survey)
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27 Oct 2014 11:47:00
A tour guide shows a thumbs up as he sits on top of a crocodile on the Tarcoles river in Tarcoles, Costa Rica. (Photo and caption by Barcroft Media)

To most of us, hand-feeding crocodiles might sound like a one-way ticket to a watery grave. But for Jose Eduardo Chaves Salas, 32, coming within inches of the fearsome creatures’ razor-sharp teeth is all in a day’s work. He runs Jose's Crocodile River Tour on the Tarcoles River in Costa Rica, where tourists can watch him feed crocs up to 17 feet long. Photo: A tour guide shows a thumbs up as he sits on top of a crocodile on the Tarcoles river in Tarcoles, Costa Rica. (Photo and caption by Barcroft Media)
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20 Oct 2013 09:06:00


A YouTube video of a chainsmoking Indonesian toddler inspired me to create this series, "Smoking Kids". The video highlighted the cultural differences between the east and west, and questioned notions of smoking being a mainly adult activity. Adult smokers are the societal norm, so I wanted to isolate the viewer's focus upon the issue of smoking itself. I felt that children smoking would have a surreal impact upon the viewer and compel them to truly see the acts of smoking rather than making assumptions about the person doing the act. ... ~Frieke Janssen
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07 Aug 2012 01:56:00
Motorhead fans. (Photo by James Mollison)

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)
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25 Jun 2015 12:45:00
Invisible Empire

This visually striking photo series by Juna Helminen captures an unsettling portrait that really doesn't fail to creep the living hell out of me. But I digress, I think its absolutely beautiful work by the Helsinki based artist who goes by the name of Immanuel on Deviantart. There are some really subtle undertones in this series, including fanaticism and loss of individuality. The lighting in these photographs, as well as the compositions are pretty damn amazing as well...If you like the surreal movies of Tarsem or played any of the Silent Hill games..Or are just looking to be creeped out, you'll love the rest of the images from this series after the break.
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15 Jun 2012 16:51:00
Camp You Are You

"Camp You Are You (whose name has been changed to protect the privacy of the participants) offers a temporary safe haven where gender-variant boys can freely express their interpretations of femininity alongside their parents and siblings. These images represent the spirit of the children as they shine in an atmoshpere of support. Here they can be true to their inner nature without feeling the need to look over their shoulders." Lindsay Morris
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22 Aug 2013 11:24:00