Sеxy brunet striptease dancer dancing lap dance in front of man. (Photo by Blue SkyImages/Getty Images)

Kamaz Russian driver Eduard Nikolaev, co- driver Evgeny Yakovlev and mechanic Vladimir Rybakov compete during the 2018 Dakar Rally' s Stage 13 between San Juan and Cordoba in Argentina, on January 19, 2018. (Photo by Franck Fife/AFP Photo)

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“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

The abandoned Moulton and Kyle Funeral Home in Jacksonville, Fla., which is more than 150 years old, was left to rot, with the premises eerily strewn with open caskets, a hearse and embalming chemicals. Much like the corpses that were laid to rest, the remains of this building too are slowly decomposing and decaying. Black mold has engulfed the walls, and chipped tiles from the collapsed ceilings cover many of the floors. (Photo by Abandoned Southeast/Caters News Agency)

In this photo taken on March 16, 2019, 13-year-old Reymark Cavesirano collects left over herring onboard a fishing boat anchored at the mouth of Manila Bay off Navotas City in suburban Manila. Cavesirano, a grade five student, paddles to the anchored fishing boats and helps crew clean their nets, and in exchange collects leftover herring still tangled in the nets. Across the Philippines, there are 5 million child labourers, aged between five and 17, many of them working in dangerous conditions. About 22 million people – a fifth of the population – live below the national poverty line. (Photo by Ted Aljibe/AFP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

Anja Rubik poses as she arrives for the screening of the film “Dolor Y Gloria (Pain and Glory)” at the 72nd edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2019. (Photo by Stephane Mahe/Reuters)