Israeli actress Gal Gadot attends the World Premiere of Disney's Snow White at El Capitan Theatre in Hollywood, California on March 15, 2025. (Photo by Alberto E. Rodriguez/Getty Images for Disney)

Of the epic landscape, the California-based photographer said: “It was an incredible moment and I'm just glad I decided that day to pick up my camera and give it a go because I don't know if I will ever get the chance again”. (Photo by Nolan Nitschke/Caters News)

A hen, a dog and a rabbit playing cards, circa 1956. (Photo by Evans/Three Lions)

A fisherman waits to catch fish as he sits atop a stilt in the sea in Koggala, Sri Lanka on July 4, 2019. (Photo by Dinuka Liyanawatte/Reuters)

French actress Adele Exarchopoulos – Outside arrivals at Christian Dior Womenswear Spring/Summer 2020 fashion show as part of the Paris Fashion Week, in Paris on September, 24, 2019. (Photo by J.M. Haedrich/SIPA Press)

An actor dressed as a zombie performs during a drive-in haunted house show by Kowagarasetai (Scare Squad), for people inside a car in order to maintain social distancing amid the spread of the coronavirus disease (COVID-19), at a garage in Tokyo, Japan on July 3, 2020. A Japanese performance group is starting a run of drive-in horror shows for people who are scared of catching the coronavirus but still want to get close-up frights from ghouls and zombies. Audience members will drive into a garage in Tokyo, one car at a time, and listen to a murder story and sound effects blared out of speakers, as actors dressed as monsters bang on the side of the vehicle and spray fake blood over the windows. (Photo by Issei Kato/Reuters)

A man takes pictures of the Aurora Australis, also known as the Southern Lights, as it glows on the horizon over waters of Lake Ellesmere on the outskirts of Christchurch on April 24, 2023. (Photo by Sanka Vidanagama/AFP Photo)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)