Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

“Check out this praying mantis totally bossing a trek through the Borneo jungle – on the back of a snail. Yes, it may not be the fastest mode of transport for the discerning traveller, but at least the green chap isn't getting his feet wet. The slightly sinister sight was captured by snapper Nordin Seruyan in central Borneo”. – Sara C. Nelson via Barcroft Media. (Photo by Nordin Seruyan/Barcroft Media)

Tourists use a selfie stick on the Trocadero Square, with the Eiffel Tower in background, in Paris, Tuesday, January 6, 2015. Selfie sticks have become popular among tourists because you don't have to ask strangers to take your picture, and you can capture a wide view in a selfie without showing your arm. But some people find selfie sticks obnoxious, arguing that they detract from the travel experience. (Photo by Remy de la Mauviniere/AP Photo)

Tsukimi Ayano steps out of her house in the village of Nagoro on Shikoku Island in southern Japan February 24, 2015. Tsukimi Ayano made her first scarecrow 13 years ago to frighten off birds pecking at seeds in her garden. The life-sized straw doll resembled her father, so she made more. Today, the tiny village of Nagoro in southern Japan is teeming with Ayano's hand-sewn creations, frozen in time for a tableau that captures the motions of everyday life. (Photo by Thomas Peter/Reuters)

There’s an innate relationship between children and the animal kingdom. Our children sing songs about animals, the have toy animals, they have books about animals and they dream about animals. Capturing this unique connection is Indonesian artist Elicia Edijanto, who depicts small, vulnerable children alongside creatures of the wild like elephants, wolves and bears. Created in stark black and white imagery, and using only watercolors, Edijanto creates dreamlike-scenes that are both tranquil and contemplative.

Graffiti is painted on the bathroom walls at a restaurant in the Williamsburg area of Brooklyn borough in New York, United States, October 1, 2015. Some 2.4 billion people around the world don't have access to decent sanitation and more than a billion are forced to defecate in the open, risking disease and other dangers, according to the United Nations. To mark World Toilet Day on November 19, Reuters photographers captured pictures of toilets in cities, towns and villages around the globe. (Photo by Shannon Stapleton/Reuters)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.