A child points a water pistol at a statue of Russian President Vladimir Putin riding a tank by French artist James Colomina in a playground in Central Park in Manhattan, New York City, U.S., August 2, 2022. (Photo by Andrew Kelly/Reuters)

Revellers enjoy the Notting Hill Carnival for the first time in three years in London, United Kingdom on August 28, 2022. (Photo by Simon Jones/The Sun)

Revellers throw tomatoes at each other during the annual “Tomatina”, tomato fight fiesta in the village of Bunol near Valencia, Spain, Wednesday, August 31, 2022. The tomato fight took place once again following a two-year suspension owing to the coronavirus pandemic. (Photo by Alberto Saiz/AP Photo)

Women walk at lunch time along Kings Road in Chelsea during Storm Eunice, in London, Britain, February 18, 2022. Britain put the army on standby Friday and schools closed as forecasters issued two rare “red weather” warnings of “danger to life” from fearsome winds and flooding due to the approaching storm Eunice. (Photo by Kevin Coombs/Reuters)

A person reacts during an anti-war protest, after Russia launched a massive military operation against Ukraine, in Moscow, Russia on February 24, 2022. (Photo by Evgenia Novozhenina/Reuters)

A woman jumps out of a street art object in the center of the Ukrainian capital of Kiev during a warm autumn day on September 25, 2020. (Photo by Sergei Supinsky/AFP Photo)

A child plays with a mock submachine gun at a model Mass Transit Railway (MTR) station to mark the National Security Education Day at Hong Kong Police College in Hong Kong, China on April 15, 2021. The “education day” was organized to promote the sweeping legislation China imposed last year, marked with school activities, games and shows, and a parade by police and other services. (Photo by Tyrone Siu/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)