A little girl takes a picture of a lion in the zoo in Frankfurt, Germany, Tuesday, September 13, 2016. (Photo by Michael Probst/AP Photo)

A woman walks behind the installation “Wandering boy is forever attractive” (1985) by Tetsumi Kudo during the press preview at the exhibition “Tetsumi Kudo – Retrospective” in the Fridericianum in Kassel, Germany, Friday, September 23, 2016. The exhibition offers an in-depth, comprehensive view of works by the Japanese artist Kudo. It starts on Sept. 25, 2016 and lasts until Jan. 1, 2017. (Photo by Jens Meyer/AP Photo)

A female motorcycle cop directs traffic wearing crash helmet, Haywarket Square, Boston, Massachusetts, 1979. (Photo by Spencer Grant/Getty Images)

A photo from Madonna’s high school yearbook at her childhood home in Rochester, Michigan, circa 1973. (Photo by Rebel Images/Rex Features/Shutterstock)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Gymnasts from the Pyongyang Circus Theater perform during Mother's Day Monday, November 16, 2020, in Pyongyang, North Korea. (Photo by Jon Chol Jin/AP Photo)

An Iranian man sells colorful ropes at the Tehrans old Bazaar, the place where the main economy trades take place, in Tehran, Iran, 25 January 2016. Reports state that Iranian officials expected the Iranian economy to grow on an average of eight percent over the coming five years following the lifting of sanctions against Iran. (Photo by Abedin Taherkenareh/EPA)

Astronaut Donald R. Pettit would often rig an array of as many as six cameras in the cupola windows and set them all to fire continuously for events such as sunsets, which only last around seven seconds on the ISS. (Photo by Donald R. Pettit)