Thousands flock to Bondi Beach for the traditional expats Christmas Day celebration in Sydney, Australia, 25 December 2014. Expats of all nationalities have been flocking to Bondi Beach for Christmas Day for many years. (Photo by Dean Lewins/EPA)

Team GB synchronised swimmers Kate Shortman and Izzy Thorpe took on an underwater fashion shoot in June 2021 before they represent Britain in the artistic swimming competition at the Tokyo Olympics next month. (Photo by Bluebella/Cavendish Press)

Dancers perform at the 130th Anniversary Le Moulin Rouge celebration on October 6, 2019 in Paris, France. (Photo by Pascal Le Segretain/Getty Images)

Mike Branch helps customers shop for a Halloween masks at Fantasy Costumes on October 28, 2011 in Chicago, Illinois. The store, which had long lines at the registers at 4 AM this morning, is open around the clock through Halloween to help keep up with customer demand. Retailers nationwide are expecting record sales for Halloween merchandise this year with shoppers spending close to $7 billion dollars to celebrate the holiday. (Photo by Scott Olson/Getty Images)

Kite-surfers practice in a water reservoir at the shores of the Mediterranean sea close to the southern Israeli kibbutz of Ziqim during stormy weather, on December 20, 2021. (Photo by Menahem Kahana/AFP Photo)

A woman cuts her hair during a protest against the death of Iranian Mahsa Amini and the government of Iran on October 02, 2022 in Istanbul, Turkey. (Photo by Chris McGrath/Getty Images)

American singer Tinashe arrives at the 2022 American Music Awards at the Microsoft Theater, in Los Angeles, California, U.S., November 20, 2022. (Photo by Aude Guerrucci/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)