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in Qayyarah, about 31 miles (50 km) south of Mosul, Iraq, Sunday, October 23, 2016.in Qayyarah, some 50 kilometers south of Mosul, Iraq, Sunday, Oct. 23, 2016. Islamic State fighters torched a sulfur plant south of Mosul, sending a cloud of toxic fumes into the air that mingled with oil wells the militants had lit on fire to create a smoke screen. (Photo by Marko Drobnjakovic/AP Photo)

in Qayyarah, about 31 miles (50 km) south of Mosul, Iraq, Sunday, October 23, 2016.in Qayyarah, some 50 kilometers south of Mosul, Iraq, Sunday, Oct. 23, 2016. Islamic State fighters torched a sulfur plant south of Mosul, sending a cloud of toxic fumes into the air that mingled with oil wells the militants had lit on fire to create a smoke screen. (Photo by Marko Drobnjakovic/AP Photo)
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24 Oct 2016 12:56:00
People walk to the Venezuela Aid Live concert that will play on the Colombian side of the border near the Simon Bolivar International Bridge, from San Antonio del Tachira, Venezuela, Friday, February 22, 2019. (Photo by Rodrigo Abd/AP Photo)

People walk to the Venezuela Aid Live concert that will play on the Colombian side of the border near the Simon Bolivar International Bridge, from San Antonio del Tachira, Venezuela, Friday, February 22, 2019. (Photo by Rodrigo Abd/AP Photo)
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25 Feb 2019 00:05:00
Horvat started out as a photojournalist. Meeting Henri Cartier-Bresson in 1951 proved to be a milestone in his career, leading to a two-year trip to Asia and exhibiting internationally, including in the 1955 show The Family of Man at New York's Museum of Modern Art. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)

Born in 1958 in Abbazia, Italy, Frank Horvat is considered one of the founding fathers of French fashion photography. Frank Horvat: Storia di un Fotografo is on at Palazzo Chiablese Musei Reali, Turin, until 16 June. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)
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01 Jun 2018 00:05:00
World War Two veteran Abla Begaliyev, 91, is seen in an undated handout picture (L), poses for a picture in Arashan (Top R) and at home in Kyrgyzstan April 14, 2015. Begaliyev served in the border guard cavalry from February 1942 until April 1947. Originally from Kyrgyzstan, he fought on the Ukrainian front and relocated to the border with Afghanistan at the end of World War Two. (Photo by Vladimir Pirogov/Reuters/Family handout (L))

World War Two veteran Abla Begaliyev, 91, is seen in an undated handout picture (L), poses for a picture in Arashan (Top R) and at home in Kyrgyzstan April 14, 2015. Begaliyev served in the border guard cavalry from February 1942 until April 1947. Originally from Kyrgyzstan, he fought on the Ukrainian front and relocated to the border with Afghanistan at the end of World War Two. As the world marks the 70th anniversary of the end of World War Two, Reuters photographers the length and breadth of the former Soviet republics (CCCP) captured portraits of Red Army veterans, mostly now in their 80s and 90s, today and through archive pictures at the time. More than 20 million Soviet citizens were killed in the war. (Photo by Vladimir Pirogov/Reuters/Family handout (L))
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08 May 2015 14:22:00
In this April 23, 2015 photo, friends Jia Haixia, left, and Jia Wenqi work to plant a tree in a field in Yeli village near Shijiazhuang city in northern China's Hebei province. For the past 13 years, Jia Wenqi, who has no arms, and Jia Haixia, who is blind, have worked together to plant and water more than 12,000 trees near their village. (Photo by Helene Franchineau/AP Photo)

In this April 23, 2015 photo, friends Jia Haixia, left, and Jia Wenqi work to plant a tree in a field in Yeli village near Shijiazhuang city in northern China's Hebei province. For the past 13 years, Jia Wenqi, who has no arms, and Jia Haixia, who is blind, have worked together to plant and water more than 12,000 trees near their village. (Photo by Helene Franchineau/AP Photo)
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13 May 2015 11:21:00
In this April 28, 2014 file photo, a woman throws a rock and a bag at police blocking her from getting home in the Huepetuhe district of the Madre de Dios region of Peru. Security forces began destroying illegal gold mining machinery in Peru's southeastern jungle region of Madre de Dios, as authorities began enforcing a ban on illegal mining. (Photo by Rodrigo Abd/AP Photo)

In this April 28, 2014 file photo, a woman throws a rock and a bag at police blocking her from getting home in the Huepetuhe district of the Madre de Dios region of Peru. Security forces began destroying illegal gold mining machinery in Peru's southeastern jungle region of Madre de Dios, as authorities began enforcing a ban on illegal mining. (Photo by Rodrigo Abd/AP Photo)
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16 Dec 2014 12:51:00
Author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)
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30 Mar 2015 12:48:00
A glass building mirrors the sky in Singapore as the sun goes down over the city. (Photo by Fong Qi Wei/Thoughtful Photography)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)
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19 Aug 2014 10:28:00