“These are the stunning images of some of Americas most breathtaking churches – all of which are abandoned. Matthew Christopher travels around the United States taking shots of its most beautiful decaying wonders. He shot those in his churches series in Philadelphia, Pennsylvania, where he works as a photographer and lecturer. Matthew’s fascination with such abandoned spaces started when he was a child when he enjoyed looking at artwork set in buildings that have since decayed”. – Caters News. Photo: St. Boniface Church, Philadelphia Pa. (Photo by Matthew Christopher/Caters News)

Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

Scaffolding holding a remnant of the Soviet Union, the hammer and sickle, is seen on a rooftop of an abandoned building in the town of Pripyat on January 25, 2006 near Chernobyl, Ukraine. The town of Pripyat, deserted since the 1986 catastrophe, once housed 30,000 people, the majority of being workers from the Chernobyl Nuclear Power Plant. Days after the catastrophe the inhabitants were relocated to other locations in the Soviet Union. The town of Pripyat has remained uninhabited since. Prypyat and the surrounding area will not be safe for human habitation for several centuries. Scientists estimate that the most dangerous radioactive elements will take up to 900 years to decay sufficiently to render the area safe.

Bex Hetherington exhibits a T-shirt at the Edinburgh College of Art degree show on June 8, 2011 in Edinburgh, Scotland. Students work will be exhibited across the campus buildings turning Edinburgh College of Art into the city's biggest gallery space. The work ranges from conceptual to commercial with inspirational influences as diverse and wide ranging as fashion photography, volcanoes, the crazy lady who put a cat in a bin, fairytales, the star system and serial killers. (Photo by Jeff J Mitchell/Getty Images)

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)

High-flying photographer Jeffrey Milstein, renowned for his aerial photos of US cities, snaps landmarks through the open door of a helicopter. This month he hired a chopper in London and amazingly he had just an hour to cover all the buildings he wanted to capture including Buckingham Palace, the London Eye, the glass roof of the British Museum and the Gherkin and Walkie Talkie towers in the City. Here: Jeffrey Milstein captured these stunning images through the door of a helicopter hovering over central London. (Photo by Jeffrey Milstein/Rex Features/Shutterstock)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)