Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.

This year's Republican National Convention and Democratic National Convention both saw passionate delegates in outrageous costumes – but that's where the similarities mostly end. Reuters photographer Jim Young gives a look at what it's like to be on the convention floor and talks to the delegates who make the conventions memorable. (Photo by Jim Young/Reuters)

Ebiowei, 48, carries an empty oil container on his head to a place where it would be filled with refined fuel at an illegal refinery site near river Nun in Nigeria's oil state of Bayelsa November 27, 2012. Locals in the industry say workers can earn $50 to $60 a day. Thousands of people in Nigeria engage in a practice known locally as “oil bunkering” – hacking into pipelines to steal crude then refining it or selling it abroad. The practice, which leaves oil spewing from pipelines for miles around, managed to lift around a fifth of Nigeria's two million barrel a day production last year according to the finance ministry. (Photo by Akintunde Akinleye/Reuters)

Central to The Capture Site on the R103 in the KwaZulu-Natal Midlands – where Nelson Mandela was arrested in 1963 – is a sculptural installation by Johannesburg artist Marco Cianfanelli. When viewed from a distance, the 50 painted laser-cut steel columns form the image of Madiba’s face. Click on the image below for more on The Capture Site.

Born in Russia where he was educated in fine arts from a young age, Rinat Shingareev took an early interest in the subject, for which he showed an affinity and talent. Later moving to Italy to attend the Fine Arts Academy he has been described by Italian Maxim as “one of the most talented artists in the world”. Now based in London Shingareev continues to paint vibrant and thought provoking pieces.