Sheep walk as they are herded to summer pastures in Serra da Estrela, near Seia, Portugal June 27, 2015. In late June, shepherds young and old in the Seia region of central Portugal start guiding sheep, goats and cattle to the Serra da Estrela, the country’s highest mountains, in search of better pastures. There they stay until the end of September. Modern-day shepherds may have mobile phones to keep in touch with family and friends, but their lifestyle has changed little for centuries. The sound of cowbells and the bark of longhaired mastiffs starts early in the morning as the animals – often decorated with traditional woollen balls on their horns – are herded up steep, narrow paths. (Photo by Rafael Marchante/Reuters)

The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

Buzludzha is a historical peak in the Central Stara Planina, Bulgaria and is 1441 metres high. In 1868 it was the place of the final battle between Bulgarian rebels led by Hadji Dimitar and Stefan Karadzha and the Ottoman Empire. The Buzludzha Monument on the peak was built by the Bulgarian communist regime to commemorate the events in 1891 when the socialists led by Dimitar Blagoev assembled secretly in the area to form an organised socialist movement with the founding of the Bulgarian Social Democratic Party, a fore-runner of the Bulgarian Communist Party. The Monument was opened in 1981. No longer maintained by the Bulgarian government, it has fallen into disuse. Buzludzha is reached by a 12 km side road from the Shipka Pass.

Girls cry as they get separated from their family at the border line dividing Macedonia and Greece August 21, 2015. At least 1,000 migrants and refugees pressed against Macedonian police lines on the Greek-Macedonian border on Friday and at least 10 people appeared to faint in the crush. People could be heard screaming and medical workers raced to treat those who passed out or were hurt. The crush ensued after police let several hundred through into Macedonia, having kept them out since Thursday under an emergency decree. (Photo by Ognen Teofilovski/Reuters)

For more than 2,000 years, women from the Baiga tribe in the highland district of Dindori, in central India’s Madhya Pradesh state, have been tattooed. Sumintra, 25, from Bona village, has the markings across her forehead, legs and arms. The women who work as tattoo artists are knowledgable about the different types of designs and pigments preferred by various tribes, and their meanings are passed to them by their mothers. The tattooing ‘season’ begins with the approach of winter. (Photo by Ronny Sen/WaterAid/The Guardian)

A man performs ablution using water at an old fountain before performing prayers in the old city of Algiers Al Casbah, Algeria December 3, 2015. The Algiers Casbah is a UNESCO World heritage site that includes the Sidi Ramdane mosque and former fortress, 10 centuries old. Decay from the passing years, as well as earthquake damage in 2003, leads some to consider a move to modern apartments with financial backing from the government. Others refuse to leave a neighbourhood they have called home for decades. (Photo by Zohra Bensemra/Reuters)

A Hindu devotee performs a ritual on Bagmati River during Kuse Aunse (Father's Day) at Gokarna Temple in Kathmandu, Nepal September 13, 2015. Hindus all over the country, whose fathers have passed away, come to the temple for worship, holy dips, and to present offerings on this occasion. (Photo by Navesh Chitrakar/Reuters)

In one of the best collaborations this blog has seen in ages, professional illustrator Mica Angela Hendricks has been collaborating with her 4-year-old daughter on a series of wonderful drawings that pass back and forther between mother and daugher until reaching an always unexpected final form. Each drawing begins with Hendricks drawing a detailed retro-ish head, after which her daughter snatches away the sketchbook to create rudimentary body (or animal!) parts as well as other random details. Afterward Hendricks goes back in to polish things up a bit and behold: dinosaur women, slug ladies, and beaver astronauts are born.