A model is reflected in a mirror as she applies make up backstage during Kazakhstan Fashion Week in Almaty, Kazakhstan, April 19, 2016. (Photo by Shamil Zhumatov/Reuters)

Local residents fight to collect free drinking water from municipal corporation tanker on a hot summer day on the outskirts of Ahmedabad, India June 1, 2016. (Photo by Amit Dave/Reuters)

Bavarian herdsmen and a herdswoman in traditional dresses drive their beasts on a road during the return of the cattle from the summer pastures in the mountains near Oberstaufen, Germany, Friday, September 9, 2016. (Photo by Matthias Schrader/AP Photo)

Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

In this November 18, 2015 photo, 9-year-old Mahiro Takano, center, three-time Japan karate champion in her age group practices in Nagaoka, Niigata Prefecture, north of Tokyo. Mahiro stars in singer Sia's latest music video "Alive", the just-released single from the singer's upcoming album. (Photo by Eugene Hoshiko/AP Photo)

Disguised participants strike poses on a car during the ancient carnival of Ituren, in the northern Spanish Navarra province on January 30, 2017. The yearly three day festivities, revolving mainly around agriculture and principally sheep hearding, run on the last Sunday, Monday and Tuesday of January where Navarra Valley locals from two villages dress up and participate in a variety of activites as they perform a pilgrimage through each village. (Photo by Ander Gillenea/AFP Photo)

The Royal Castle is seen a veil of heavy winter smog in Budapest, Hungary on January 30, 2017. (Photo by Laszlo Balogh/Reuters)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)