“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

The spectacular sequence shows the divers reaching out and even petting the 1,000-pound predators as the inquisitive beasts happily pose for the camera. Other pictures show the sharks appearing to swim with the divers as they move towards the water’s surface. The photographs were taken at Tiger Beach, Grand Bahama by photographer, Steve Hinczynski (49) from Venice, Florida, USA. To take his images Steve used a Canon 7D Mark II camera equipped with Ikelite underwater housing. (Photo by Steve Hinczynski/Mediadrumworld)

Taking it all in at Trolltunga, a piece of rock which juts horizontally out of a mountain, 700 metres above lake Ringedalsvatnet in Norway. (Photo by Sam Rogers/GuardianWitness)

Boys play with water as they celebrate Myanmar's New Year Water Festival of Thingyan in Yangon, April 13, 2016. (Photo by Soe Zeya Tun/Reuters)

“My goal was to capture the image of a storm that emulated an atomic explosion”, Dobrowner says of this picture. Here: “Monsoon”, Lordsburg, N.M., 2010. (Photo by Roger Hill)

The comet Neowise, or C/2020 F3, is seen in the evening sky above the artwork titled: “Seven Magic Mountains” by artist Ugo Rondinone, Thursday, July 16, 2020, near Jean, Nev., south of Las Vegas. (Photo by John Locher/AP Photo)

“Don't Leave Any Food On Your Plate”. The giraffes at Nairobi's Giraffe Manor are totally at home with humans. They will eat out of your hand, or even off your plate. Photo location: Giraffe Manor, Nairobi, Kenya. (Photo and caption by Gavin Werbeloff/National Geographic Photo Contest)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)