Afghan boys stand on a snow-covered street on the TV mountain in Kabul, Afghanistan on January 25, 2023. (Photo by Ali Khara/Reuters)

Lilith interacts with spectators in the streets of Toulouse. French street show creator Francois Delaroziere, director of the art company “La Machine”, creates a show in the streets of Toulouse. The new show displays giant characters: Asterion, the Minotaur; Lilith, the scorpion woman; and Ariane, the spider woman. Lilith is fond of the Minotaur and wants to take Asterion to hell with her. Ariane protects Asterion and tries everything to keep Asterion safe. The show is displayed over three days and is attended by dozens of people. During the three days, the giant characters appear in the streets of Toulouse. (Photo by Alain Pitton/NurPhoto)

A visitor views the work of artists Gonzalo Duran and Cheri Pann at their Mosaic Tile House in Venice, California U.S., August 26, 2016. With an array of thrift store china, humorous souvenirs and handmade tile adorning its walls and floors, the Mosaic Tile House in Venice stands as a monument to two decades of artistic collaboration between Cheri Pann and husband Gonzalo Duran. (Photo by Mario Anzuoni/Reuters)

Fifty years ago, as France exploded in mass protests, words scrawled on the walls of the Sorbonne summed up the revolutionary zeal of the time: “Run free, comrade, we’ve left the old world behind!”. Sexual liberation, artistic creativity and anti-capitalism were the order of the day. For those who were there, it was an unforgettable time. Here: A wounded student is transported by first-aid workers during riots on the Boulevard Saint-Michel, Paris, France on May 6, 1968. (Photo by Gökşin Sipahioğlu/SIPA Press)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

A woman poses with a cut-out of Vladimir Putin in the “President Cafe” in Krasnoyarsk, Siberia, Russia, April 7, 2016. Dozens of photos of Vladimir Putin, from childhood to Russian President, hang on the walls of President Cafe in a working-class area of Krasnoyarsk, a city in eastern Siberia. A life-size cut-out of Putin stands by the bar. Images of U.S. President Barack Obama, as well as leaders of Germany and Britain, greet customers in the toilets. (Photo by Ilya Naymushin/Reuters)

A man holds on a rope as he tries to board a truck while crossing floodwaters brought by typhoon Koppu that battered Candaba town, Pampanga province, north of Manila October 20, 2015. Typhoon Koppu swept across the northern Philippines killing at least nine people as trees, power lines and walls were toppled and flood waters spread far from riverbeds, but tens of thousands of people were evacuated in time. (Photo by Romeo Ranoco/Reuters)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List