A Kashmiri man cover his head with plastic bag as it snows in Srinagar, Indian controlled Kashmir, Thursday, November 7, 2019. The region received its first snow on Wednesday, bringing temperatures down drastically and affecting air and vehicular traffic. (Photo by Mukhtar Khan/AP Photo)

Faithful wearing face mask pray during the Arafah prayer ceremony ahead of Eid al-Adha, at the Tehran university’s mosque in Tehran, Iran, 30 July 2020. Iran will not hold the Eid al-Adha prayers and ceremonies over the coronavirus (COVID-19) crisis in the country. (Photo by Abedin Taherkenareh/EPA/EFE)

An Indian woman performs rituals near the body of her husband who died of COVID-19 in Gauhati, India, Monday, September 28, 2020. India’s confirmed coronavirus tally has reached 6 million cases, keeping the country second to the United States in number of reported cases since the pandemic began. (Photo by Anupam Nath/AP Photo)

Devotees wearing personal protective equipment (PPE), carry a chariot of Pachali Bhairab amid the spread of coronavirus disease (COVID-19), in Kathmandu, Nepal on October 21, 2020. (Photo by Navesh Chitrakar/Reuters)

A model is reflected in the mirror applying makeup during the Mr. and Mrs. Kibera leadership contest, on International Youth Day, in Nairobi, Kenya, Tuesday, August 12, 2025. (Photo by Brian Inganga/AP Photo)

These are the dunes of the Namib Desert, taken by Korea's Kompstat-2 satellite. The blue and white area is the dried riverbed of the Tsauchab river. (Photo by The European Space Agency)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)