Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List

“One artist doesn’t mind if people class her work as rubbish. Thats because all of her pieces are made out of junk found in charity shops, garage sales and in and around her home. Using the likes of buttons, broken jewelry and toy parts, Jane Perkins, from Exeter, UK, has recreated the famous faces of Albert Einstein, Kate Middleton, The Queen, as well as some of the worlds most iconic paintings and photographs”. – Caters News. Photo: Afghan Girl (based on photograph by Steve McCurry/National Geographic). (Photo by Jane Perkins/Caters News)

German pensioner Volker Kraft decorates an apple tree with Easter eggs in the garden of his summerhouse, in the eastern German town of Saalfeld, March 19, 2014. Each year since 1965 Volker and his wife Christa spend up to two weeks decorating the tree with their collection of 10,000 colourful hand-painted Easter eggs in time for Easter celebrations. (Photo by Fabrizio Bensch/Reuters)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

Volunteers transport an inflated sphere into a canoe to be lowered in MacArthur Park Lake during the installation of Portraits of Hope's exhibition “Spheres at MacArthur Park” in Los Angeles, California August 21, 2015. The installation will feature about 3,000 inflatable hand-painted spheres. (Photo by Mario Anzuoni/Reuters)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

A man covered in motor oil, poses for a picture next to a girl dress a traditional clothes during a festivities in honor of Santo Domingo de Guzman in Managua, Nicaragua, Saturday, August 1, 2015. Some of the faithful coat their bodies in a black motor oil, red paint and wear traditional clothes as a promise for a prayer or miracle they believe was performed or answered by Managua's patron saint, Santo Domingo de Guzman. (Photo by Esteban Felix/AP Photo)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.