A visitor holds an Israeli-made rifle during the 8th International Land and Naval Defense system exhibition, in New Delhi, India, on February 6, 2014. (Photo by Anindito Mukherjee/Reuters)

Jean-François Leroy launched Visa Pour l’Image, the international photojournalism festival, in Perpignan in 1989. Before heading up the festival, Leroy was shooting reportage for the agency Sipa Press and also working for Photo-Reporter, Le Photographe, Photo-Revue and Photo Magazine. He is the chairman of the company Images Evidence. Photo: 2008 Visa d'or Feature: Brent Stirton. Conservation Rangers from an Anti-Poaching unit work with locals to evacuate the bodies of four Mountain Gorrillas killed in mysterious circumstances in the park, July 24, 2007, Virunga National Park, Eastern Congo. (Photo by Brent Stirton/Exclusive by Getty Images)

Russia's Maria Sharapova carries the torch during the opening ceremony of the 2014 Winter Olympics in Sochi, Russia, Friday, February 7, 2014. (Photo by Matt Dunham/Associated Press)

Two young girls play near a makeshift tent where their family stay after the earthquake in Samandag, southern Turkey, Thursday, February 16, 2023. Ever since the Feb. 6 earthquake decimated swaths of Turkey and Syria, survivors have gathered outside destroyed houses and apartments, refusing to leave. (Photo by Francisco Seco/AP Photo)

St. Vincent performs at the Coachella Valley Music and Arts Festival in Indio, California, U.S., April 13, 201. (Photo by Mario Anzuoni/Reuters)

Lizzy Huggler, 20 ,wears blue ties on her legs on the third day of the Firefly Music Festival in Dover, Delaware U.S., June 16, 2018. (Photo by Mark Makela/Reuters)

English singer and songwriter Dua Lipa poses in the second decade of November 2022 in nothing but a bra backstage. (Photo by dualipa/Instagram)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)