Matthew Tkachuk #19 of Team USA fights with Brandon Hagel #38 of Team Canada during the first period in the 4 Nations Face-Off game at the Bell Centre on February 15, 2025 in Montreal, Quebec, Canada. (Photo by Minas Panagiotakis/Getty Images)

A clothing shop displays its merchandise in the rebel-controlled city of Idlib, Syria November 7, 2015. (Photo by Ammar Abdullah/Reuters)

Tajammu Al-Ezza brigade fighters react while firing a Grad shell towards forces of Syria's President Bashar Al-Assad stationed in Salhab village, Hama countryside, May 7, 2015. (Photo by Mohamad Bayoush/Reuters)

Conservation staff members move the eight-years-old White Rhino Seha into a truck in Johannesburg, South Africa, 28 July 2017. Seha is the only survivor after five rhinos where poached on the same game farm. South Africa has the world's largest population of Rhinos in the world. (Photo by Kim Ludbrook/EPA/EFE)

A Syrian rebel walks past Sham 2, a homemade armored vehicle, in Bishqatin, Syria, on December 8, 2012. From a distance it looks rather like a big rusty metal box but closer inspection reveals a homemade armored vehicle waiting to be deployed. Sham II, named after ancient Syria, is built from the chassis of a car and touted by rebels as “100 percent made in Syria”. (Photo by Herve Bar/AFP Photo)

Olga Fatkulina of the Russian Olympic Committee flops onto the infield after finishing her heat in the women's speedskating 1,000-meter finals at the 2022 Winter Olympics, Thursday, February 17, 2022, in Beijing. (Photo by Ashley Landis/AP Photo)

Czech Republic's Jakub Mensik celebrates after winning the men's singles quarter-final match against Russia's Andrey Rublev at the ATP Qatar Open tennis tournament in Doha on February 22, 2024. (Photo by Karim Jaafar/AFP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)