“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

These images have been created using a colour scanning electron microscope (SEM) by the award-winning Eye of Science, comprised of snapper Oliver Meckes and biologist Nicole Ottawa. For a decade the pair, based in Reutlingen in the south of Germany, worked with an old SEM they saved from the scrapheap, but for the last five years they have used a £250,000 FEI Quanta Series Field Emission SEM. Oliver said: “Flowers are beautiful in 'normal' view, but when you look closer, some parts get very bizarre and unexpected structures appear – flowers within flowers, worlds within worlds”. Photo: The floret of a Chamomile flower up close and personal. (Photo by Oliver Meckes/Barcroft Media)

The Zelda Project is a Los Angeles, CA based group of friends who seek to bring to life the characters, settings, and overall feel of Ocarina of Time through photography and film. Our ultimate goal is to create the characters as they would appear in reality to the best of our abilities, placing them in beautiful sceneries true to their Hyrulean counterparts, and creating elaborate photosets utilizing art ranging from costuming to 3D CGI.

A photographer has taken an explosive set of images by igniting gasoline in midair. Rob Prideaux, 45, photographs fire and smoke and then creates patterns from it. The San Francisco-based artist captures the fire in the split second its visible by using highly arcane methods. Rob's Smoke and Fire series is his quest “to shape one of the more uncontrollable phenomena in nature”. (Photo by Rob Prideaux)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

A trader carries his mannequins as he closes his business ahead of the lockdown restrictions set by the government to prevent the spread of the coronavirus disease (COVID-19), in Eastleigh district of Nairobi, Kenya on May 6, 2020. (Photo by Thomas Mukoya/Reuters)