A craftsman makes imitation bread samples at The Sample Factory on February 25, 2008 in Gujo, Gifu, Japan. Gujo City has more than a 50 percent share of the imitation vinyl chloride samples industry. Replica foods are used in most restaurant window displays in Japan, and are popular as souvenirs for tourists. (Photo by Koichi Kamoshida/Getty Images)

One of the Siberian tiger twins, born on April 13, 2025, is presented to the press at the Budapest zoo and botanic garden, on June 12, 2025 during their first veterinary examination. (Photo by Attila Kisbenedek/AFP Photo)

Latin dancing featured on the opening day of the 98th Blackpool Dance Festival in the Empress Ballroom in the city’s Winter Gardens on May 28, 2024. (Photo by James Glossop/ The Times & Sunday Times)

Palestinians carry their belongings as they prepare to flee Rafah in the southern Gaza Strip on May 13, 2024, amid the ongoing conflict between Israel and the Hamas militant group. (Photo by AFP Photo/Stringer)

A member of the Amabutho Zulu regiments is congratulated by a member of the Dundee Diehards at the end of the Battle of Isandlwana, in Isandlwana on January 21, 2023. (Photo by Marco Longari/AFP Photo)

Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.

Lissy Elle is a Canadian photographer who creates mysterious and dreamy images through the use of props and photo manipulation. Full of woods, classic tales references, giant teacups and girls defying gravity, her work is both engaging and disturbing, it transports us to an oniric world, or is it a nightmare?

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.