Red Bull KTM Factory Racing team rider Brad Binder of South Africa speeds through a corner during a MotoGP practice session at the Australian MotoGP on Philip Island on October 18, 2024. (Photo by William West/AFP Photo)

A gallery assistant poses by a sculpture entitled “Dark Place” by Australian artist Ron Mueck displayed at Thaddaeus Ropac gallery in London, Britain, October 11, 2021. The exhibition dedicated to Ron Mueck will open to the public from Oct. 12 to Nov. 13 ahead of Frieze Week. (Photo by Matthew Childs/Reuters)

In this picture taken on January 5, 2022, people take part in a demonstration march after the Pyongyang City rally to carry out the decision of the 4th Plenary Meeting of the 8th Central Committee of the Workers' Party of Korea, at Kim Il Sung Square in Pyongyang. (Photo by Kim Won Jin/AFP Photo)

Marine One with US President Joe Biden onboard takes off from the South Lawn of the White House in Washington, DC, on April 16, 2024. Biden is travelling to Scranton, Pennsylvania. (Photo by Drew Angerer/AFP Photo)

A member falls as Team Kazakhstan competes during the women's team pursuit speed skating final at the 9th Asian Winter Games in Harbin, China on Tuesday, February 11, 2025. (Photo by Aaron Favila/AP Photo)

A stone giant exhausted after his long travels decided to rest a while and drink from a pond far below. He lay down and started drinking from the crystal clear pond. So delicious was the water that he was unable to quench his thirst no matter how much he tried. Weeks have passed, months, years. The body of the stone giant became one with the hills and even his tongue has turned to water. This might seem like a fairy tale, yet you’ll be able to see this stone giant if you ever come to Wattens, Austria. He’s still there, guarding the entrance to Swarovski Kristallwelted, otherwise known as the Crystal Worlds. This is a one-of-a-kind theme park that was created by the people who first created Swarovski crystals.

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.