Yaks head towards the Everest base camp in Solukhumbu District April 28, 2014. (Photo by Navesh Chitrakar/Reuters)

A Japanese white-eye is seen on a branch of cherry blossoms at Kyoto Imperial Palace on March 26, 2010 in Kyoto, Japan. (Photo by Akihiro I/Getty Images)

Fuse TV VJ's Marianela and Juliya attend the store opening of “Nigo's A Bathing Ape” with Pharrell Williams January 11, 2005 in New York City. (Photo by Paul Hawthorne/Getty Images)

A model walks the runway at the Hakaan Spring Summer 2012 fashion show during Paris Fashion Week on October 4, 2011 in Paris, France. (Photo by Nathalie Lagneau/Catwalking/Getty Images)

In this February 26, 1962 file photo, Mercury astronaut John Glenn, and his wife, Annie, ride in the back of an open car with Vice-President Johnson during a parade in Glenn's honor in Washington. The Capitol is seen in the background. Glenn, the first American to orbit Earth who later spent 24 years representing Ohio in the Senate, died Thursday, Dec. 8, 2016, at the age of 95. (Photo by AP Photo)

Riot police stand guard behind a fire as refinery workers hold a blockade of the oil depot of Douchy-Les-Mines to protest against the government's proposed labour reforms, on May 25, 2016. Refinery workers stepped up strikes that threaten to paralyse France weeks ahead of the Euro 2016 tournament as the government moved to break their blockades, escalating a three-month tug-of-war over labour reforms. (Photo by François L.O./AFP Photo)

A couple embrace during the start of the San Fermin festival in Pamplona, Spain July 6, 2016. Revelers from around the world kick off the festival with a messy party in the Pamplona town square, one day before the first of eight days of the running of the bulls. (Photo by Vincent West/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)