Yerevan residents celebrate Armenian Prime Minister's Serzh Sargsyan's resignation in Yerevan, Armenia, Monday, April 23, 2018. Sargsyan resigned unexpectedly on Monday, an apparent move to bring to an end massive anti-government protests. (Photo by Amos Chapple/RFE/RL)

Associated Press photographer Evgeniy Maloletka points at the smoke rising after an airstrike on a maternity hospital, in Mariupol, Ukraine, Wednesday, March 9, 2022. (Photo by Mstyslav Chernov/AP Photo)

An Iraqi Muslim woman walks past Christmas decorations for sale in the Shiite holy city of Najaf on December 17, 2015. (Photo by Haidar Hamdani/AFP Photo)

English-Albanian singer Dua Lipa performs her “Radical Optimism Tour” at Rod Laver Arena on March 23, 2025 in Melbourne, Australia. (Photo by Naomi Rahim/Getty Images)

Philip Colbert poses in front of his artwork at The Gallery Hosu on March 31, 2025 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images for Philip Colbert Studio)

Fans gather to watch a FIFA World Cup Russia 2018 football match between Brazil and Costa Rica on a giant screen at Alzirao neighborhood in Rio de Janeiro, Brazil on June 22, 2018. (Photo by Carl De Souza/AFP Photo)

A Belarusian law enforcement officer approaches women, who react while sitting on the pavement during a rally of opposition supporters following the presidential election in Minsk, Belarus on August 10, 2020. Belarusian police clashed with protesters on Monday after the opposition accused President Alexander Lukashenko of rigging his re-election victory amid a chorus of criticism from Western leaders. (Photo by Vasily Fedosenko/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.