Austrian Bodybuilder and actor Arnold Schwarzenegger has some fun at a party on a yacht in Marina Del Rey in September 1979 in Los Angeles, California. (Photo by Michael Ochs Archives/Getty Images)

This year’s overall winner and winner of the coast and marine category is George Stoyle with his image “Hitchhikers” of a Lion’s mane jellyfish, photographed at St Kilda, off the Island of Hirta, Scotland. (Photo by George Stoyle/British Wildlife Photography Awards 2016)

A suspected Vietcong is kicked by a Vietnamese soldier holding a rifle as another soldier attempts to tie his hands on October 22, 1965. The prisoner was one of 15 captured October 21 near Xom Chua when government troops raided in the plain of reeds area. Troops killed 43 suspected Vietcong and seized some arms. (Photo by Richard Merron/AP Photo)

This picture taken on September 11, 2023 shows Moon Jellyfish (with rings) and Sting Jellyfish (yellow-orange inside) among a smack of a several thousand swimming off Seglvik, in northern Norway. (Photo by Olivier Morin/AFP Photo)

Jellyfish with a juvenile imperial blackfish (Schedophilus ovalis) in Castellammare di Stabia, Naples, Italy, winter 2023. (Photo by Marco Gargiulo/Media Drum Images)

Children of Indian laborers play on make-shift swings in Amritsar, India, May 12, 2015. (Photo by Narinder Nanu/AFP Photo)

A busy rush hour sees thousands of commuters climbing on board a train – as well as holding onto its sides and sitting on the roof before it speeds off. Men, women and children climb and are pulled up onto the roof of the train, which is around 12ft (3.6m) high, as they try to find themselves a space. With no seats available inside, many commuters decide to take the risk and choose a rooftop view for their journey out of Dhaka city, in Bangladesh. (Photo by Yousuf Tushar/Solent News & Photo Agency)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)