Palestinian schoolboys sit in the trunk of a car as they go to school on a rainy day in Khan Younis, in the southern Gaza Strip, October 7, 2015. (Photo by Ibraheem Abu Mustafa/Reuters)

A young farmer harvests water lilies from a canal in Barisal, Bangladesh on October 12, 2019, where the flowers cover the 10,000-acre waterway, to take to nearby markets. (Photo by Azim Khan Ronnie/Caters News Agency)

A duck salesman parades his stock to commuters at a busy station in Dhaka, Bangladesh on May 23, 2018. (Photo by Nazmul Hasan Khan/Caters News Agency)

A Palestinian worker carries stalks at a sugar cane farm in the southern Gaza Strip city of Khan Yunis, on October 19, 2020. (Photo by Said Khatib/AFP Photo)

A woman throws olives into a freshly-harvested pile beneath a tree, during the harvest season in Khan Yunis in the southern Gaza Strip on October 5, 2023. (Photo by Said Khatib/AFP Photo)

A displaced Palestinian child plays amid the Israel-Hamas conflict, in Khan Younis, southern Gaza Strip, on November 14, 2024. (Photo by Mohammed Salem/Reuters)

Workers unload baskets of sand from ships in Gabtoli Launch Ghat, Dhaka, Bangladesh in the first decade of February 2025. (Photo by Rakibul alam Khan/Solent News)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.