Kaia Gerber attends the LOVE Magazine LFW Party, celebrating issue 23 at The Standard, London on February 17, 2020 in London, England. LOVE magazine is welcoming Ben Cobb as Editor-In-Chief Men's, Graham Rounthwaite as Creative Director, and Oliver Volquardsen as Fashion Director. (Photo by David M. Benett/Dave Benett/Getty Images for LOVE Magazine)

Amazon Amanda and Sergio on a day out in Central Park on May 25, 2014 in New York City. Meet Amazon Amanda – the 6ft 3 ins, 20 stone model who is paid to dwarf men. Amanda, 38, is a big hit with guys who like being squashed, crushed, wrestled or simply seen out in pubic with super-sized women. After growing too big to be a mainstream model, Amanda discovered a subculture where she could put her natural assets to good use. With 63 inch hips and a 44DD bust Amanda is worshipped by amazon fans all over the world. And shockingly she was once asked to crush a terminally ill client to death – so he could die doing what he loves. Despite the suggestive nature of her work Amanda insists nothing sexual ever takes place between her and her clients. (Photo by Ruaridh Connellan/Barcroft Media)

“We take rusty old junk and we put love into it”. The old Motor City has a unique style in bicycles these days: from fat wheels and fake fuel tanks to stretched cycles with powerful sound systems – and even a family-sized BBQ. “Detroit’s custom bike scene developed alongside Slow Roll, a weekly cycle ride started in 2010 by Jason Hall and Mike MacKool. Now upwards of 2,000 people turn up each Monday to cruise a different part of the city. The week I go the crowd seems evenly split between black and white, male and female, city and suburbs. It’s the most inclusive cycle event I’ve ever witnessed”. (Photo by Jason Walker/Slow Roll Monday Nights)

The Rio de Janeiro Olympics kick off on August 5 for some two weeks of competitive games drawing athletes as well as audiences from around the world. As they prepare to cover the event, Reuters photographers look back on their favourite pictures from past Olympics where they captured the action on the ground as well as the participants' tears and joy that followed. (Photo by Lucy Nicholson/Reuters)