Carnival participants dressed in costume and wearing body paint pose for a group picture during the annual Zambo carnival held in Lebanon's northern city of Tripoli on March 14, 2021, marking the last period of excess on the eve of the Christian Greek Orthodox lent. The inspiration of the annual Zambo celebration is unclear, despite it being a tradition that stretches back over a century to when an emigrant to Brazil returned to his native Tripoli bringing the carnival with him. (Photo by Ibrahim Chalhoub/AFP Photo)

“Business-class” cabins are seen at First Cabin hotel, which was converted from an old office building, in Tokyo, July 3, 2015. Record tourists to Japan are stretching the ability of hotels to accommodate them in a sector constrained by high costs, forcing developers to think out of the box for means to quickly increase lodging options without breaking the bank. (Photo by Toru Hanai/Reuters)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

Sanxiantai is an area containing a beach and several islands located on the coast of Taitung County, Taiwan. The beach stretches for ten kilometers in length. It is situated at the 112-kilometer mark. A popular tourist attraction for its rocky coastal views, the area is well known for its long footbridge that connects the coast to the largest island.

In this photo taken Wednesday, April 30, 2014, a dragonfly sits on the nose of a Gharial, rare crocodile-like creatures, in the River Chambal near Bhopepura village in the northern Indian state of Uttar Pradesh. The narrow 250-mile stretch of the Chambal is a place of crocodiles and jackals, of river dolphins and the occasional wolf. Hundreds of species of birds, storks, geese, babblers, larks, falcons and so many more, nest along the river. Endangered birds lay small speckled eggs in tiny pits they dig in the sandbars. Gharials, rare crocodile-like creatures that look like they swaggered out of the Mesozoic Era, are commonplace here and nowhere else. (Photo by Altaf Qadri/AP Photo)

The annual Sculpture by the Sea exhibition in Sydney features dozens of sculptures on Bondi and Tamarama beaches and along the coastal path between them. The free outdoor exhibition, now in its 18th year, stretches for 2km along the coastline and includes work by artists from 16 countries. It runs from 23 October to 9 November 2014. Here: “Breaching” by Michael Greve is displayed during the 2014 Sculptures by the Sea exhibition at Marks Park on October 23, 2014 in Sydney, Australia. (Photo by Cameron Spencer/Getty Images)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)