A screen shows the new Automated Target Recognition software as a TSA employee, who couldn't provide her name, waits to walk into the advanced imaging technology unit to demostrate the new software that has been installed at Miami International Airport on August 23, 2011 in Miami, Florida. The new software is designed to enhance passenger privacy by eliminating passenger-specific images and instead auto-detecting potential threat items and indicating their location on a screen which shows a generic outline of a person. (Photo by Joe Raedle/Getty Images)

A photographer with a passion for wild animals was able to get up close and personal with one of nature’s deadliest creatures. Alex Suh has traveled to Mexico’s Banco Chinchorro reef twice in the past three years to get into the waters and capture the crocodiles in their natural habitat after an invitation from Yucatan Dive Trek. (Photo by Alex Suh/Caters News Agency)

The snaps show photographers from around the world, who are willing to do just about anything for the perfect picture – whether that be tussling with a seal or withstanding a sharp shove from an angry gorilla. Other brave snappers can be seen getting up close and personal with leopards and great white sharks as they persist in getting the ultimate wildlife shot. Here: Christophe Vasselin gets pushed over by a gorilla. (Photo by Christophe Vasselin/Caters News Agency)

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

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