Father Angel (L), parish priest of San Anton Church blesses a dog during the celebrations of San Anton in Madrid, Spain on January 17, 2018. (Photo by Fernando Alvarado/EFE via ZUMA Press)

A hungry cow smiles for the camera in Salzburg, Austria. One of a series of funny animal mugshots taken by Chanel Cartell and Stevo Dirnberger during their travels around the globe. (Photo by Chanel Cartell/Stevo Dirnberger/Rex Features/Shutterstock)

A spider monkey eats a mango at the Paraguana zoo in Punto Fijo, Venezuela July 22, 2016. Some 50 animals have starved to death in the last six months at one of Venezuela's main zoos due to chronic food shortages that have plagued the crisis-stricken South American nation. (Photo by Carlos Jasso/Reuters)

A cat wears a “Tsunagaru Col” gadget next to a smart phone displaying the connected app, at the Anicall Corp booth during the Wearable Device Technology Expo in Tokyo January 14, 2015. The gadget (“Tsunagaru” means connection) for animals tracks information about pets, such as the location and other animals the pet might be interacting with, with the purpose of providing “social networking” for animals. The expo runs until January 16 as a part of Japan's largest electronic exhibition expected to attract around 77,000 visitors, according to organisers. (Photo by Yuya Shino/Reuters)

A gibbon drinks from a soft drink bottle, given by a tourist, at a zoo in Kunming, Yunnan province, June 18, 2015. (Photo by Wong Campion/Reuters)

Two stags fight in a wildlife park in Aurach near Kitzbuehel, in the Austrian province of Tyrol. (Photo by Kerstin Joensson/Associated Press)

A Spanish photographer has created a collection of pictures featuring animals dressed in human clothing. Miguel Vallinas who is based in Madrid, has called the project Segundas Pieles which means Second Skins. But rather than just creating a collection of funny pictures, Vallinas tries to imagine which clothes the animals would choose for themselves if they could.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.