Spanish rider Maikel Melero performs a jump during the Malaga Freestyle motocross show at the Malagueta bullring in Malaga, southern Spain, August 1, 2015. (Photo by Jon Nazca/Reuters)

A crocodile at a zoo in the southern Taiwan city of Kaohsiung holds the forearm of a zoo veterinarian in its teeth, April 2007. Surgeons in Taiwan have reattached a vet's arm, after it was bitten off by a crocodile as he tried to give it an anaesthetic injection. His attacker is one of a pair of Nile crocodiles kept at Shoushan zoo. Nile crocodiles are known to be man-eaters, but are also listed as an endangered species. (Photo by Frank Lin/Reuters)

Brazilian model and actress Alessandra Ambrosio seen wearing a Gucci fanny pack and boots from Dior on April 15, 2018 in Indio, California. (Photo by Timur Emek/GC Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.