A visitor interacts with deer at Nara Park in Nara on January 27, 2025. As peckish deer chase delighted tourists in Japan's temple-dotted Nara Park, a quiet but dedicated team of litter-pickers patrols the stone paths, collecting plastic waste that threatens the animals' health. (Photo by Philip Fong/AFP Photo)

Well-wisher Nadine, holding her dog Connor wearing a knitted crown, waits for the arrival of Britain's Queen Camilla and King Charles III ahead of their visit of the Roe Valley Arts and Cultural Centre, in Limavady, Northern Ireland on March 20, 2025. (Photo by Henry Nicholls/Reuters)

Weimaraner with his owner enjoys riding on a Vespa in Belgrade on April 19, 2025. (Photo by Milan Maricic/ATAImages)

Cape fox cubs play fight in the last decade of May 2025 in the Kalahari Desert, South Africa, their silver and yellow fur camouflaging them in the desert. (Photo by John Mullineux/Solent News & Photo Agency)

Cast member, American actress Sydney Sweeney attends the premiere of Neon's “Immaculate” during Beyond Fest at The Egyptian Theatre Hollywood on March 15, 2024 in Los Angeles, California. (Photo by Mario Anzuoni/Reuters)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)

Ukranian artists Anya Stasenko and Slava Leontyev collaborate to create delightfully quirky and unbelievably detailed miniature porcelain sculptures. Their website offers different views of many of the pieces so that you can see the elaborate paintings on these tiny pieces. I couldn’t stop smiling, always a good sign.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.