Incredible drone image capture colourful water lilies being harvested in An Giang Province, Vietnam, Southeast Asia on September 2020. Water lilies are an iconic symbol in the Mekong Delta and the flowers are immediately sent to market before landing on meal tables. Their stalks are edible and can be eaten raw with either fermented paste or braised sauce, or dunked into sour soup or hotpot. (Photo by Nguyen Sanh Quoc Huy/Triangle News)

Maasai men of Matapato jostle to parade as they attend the Olng'esherr (meat-eating) passage ceremony to unite two age-sets; the older Ilpaamu and the younger Ilaitete into senior elderhood as the final rite of passage, in Maparasha hills of Kajiado, Kenya on September 23, 2020. Thousands of Maasai men clad in red and purple shawls and with their heads coated in red ochre gathered this week for a ceremony that transforms them from Moran (warriors) to Mzee (elders). (Photo by Thomas Mukoya/Reuters)

Police officers remove Extinction Rebellion activists blocking a main street outside the Health Ministry, during a protest demanding actions against climate change, in Madrid, on March 26, 2021. (Photo by Gabriel Bouys/AFP Photo)

Muqtada Haider turns the switches to transfer electricity to private homes in Baghdad, Iraq, Friday, September 10, 2021. In Iraq, electricity is a potent symbol of endemic corruption, rooted in the country’s sectarian power-sharing system. This contributes to chronic electrical outages of up to 14 hours a day in a major oil-producing nation with plentiful energy resources. (Photo by Hadi Mizban/AP Photo)

Italian artist Maurizio Cattelan poses with his creation “Him” (2001) prior to the opening of the exhibition “Not Afraid of Love” at the Hotel de la Monnaie in Paris, France, October 17, 2016. From October 21, 2016 to January 8, 2017, “Not Afraid of Love”, curated by Chiara Parisi, director of Cultural Programs, sets Maurizio Cattelan’s “comeback at work” in one of the most beautiful Palaces on the river Seine. (Photo by Philippe Wojazer/Reuters)

People help a woman overwhelmed by emotion and the heat during the mass funeral, attended by tens of thousands of mourners, of 613 coffins of newly-identified victims of the 1995 Srebrenica massacre at the Potocari cemetery and memorial near Srebrenica on July 11, 2011 in Potocari, Bosnia and Herzegovina. (Photo by Sean Gallup/Getty Images)

A girl with her face painted to look like the popular Mexican figure called "Catrina", jumps as she takes part in the annual Catrina Fest in Mexico City November 1, 2015. (Photo by Carlos Jasso/Reuters)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.