A man bathes at a roadside in a market area after authorities in the capital ordered a weekend curfew, following the rise in the coronavirus disease (COVID-19) cases, in the old quarters of Delhi, India, January 8, 2022. (Photo by Adnan Abidi/Reuters)

Students take part in the traditional Raisin Monday foam fight on St Salvator's Lower College Lawn at the University of St Andrews, UK in Fife on Monday, October 16, 2023. (Photo by Lesley Martin/PA Images/Profimedia)

Aerial view of workers repairing fishing nets in preparation for a new round of fishing season on July 27, 2025 in Wenling, Taizhou City, Zhejiang Province of China. (Photo by Zhu Haiwei/Zhejiang Daily Press Group/VCG via Getty Images)

An Estonian competitor cheers during the “World Medieval Fighting Championship – the Israeli Challenge” in Rishon Letzion near Tel Aviv January 22, 2015. Israel hosted the tournament on Thursday, which includes 14 competitors from seven different countries – France, Belarus, Denmark, Estonia, Russia, Ukraine and Israel. (Photo by Amir Cohen/Reuters)

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Japanese artist Megumi Igarashi, known as Rokudenashiko, holds her artwork after a news conference following a court appearance in Tokyo April 15, 2015. A Japanese artist on trial for obscenity after making figurines and a kayak modeled on her v*gina said on Wednesday that there was nothing wrong with her artwork and her arrest merely showed how far Japan remains behind the west. Words in the artwork read “Centre. 3D scan”. (Photo by Toru Hanai/Reuters)

A man dressed as a devil poses next to a grafitti of late rebel hero Ernesto "Che" Guevara in the indigenous community of Monimbo in Masaya, Nicaragua, October 16, 2015. People prepare to participate in the popular annual festival called "The Aguizotes" held on the last Friday of October, where residents dress up as characters from legends and folklore mythology of Nicaragua. (Photo by Oswaldo Rivas/Reuters)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)