Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)

With six-inch fangs and weighing in at 600lb, Saber and Janda are no ­ordinary house cats. Yet these huge Bengal tigers live in Janice Haley’s suburban garden and are treated like ordinary pets. They are fed by hand, get strokes and cuddles, and white male Saber goes to sleep sucking on her finger. Janice’s life changed 20 years ago when she spotted an advert for a tiger training course in her local paper – and two years later arrived home with her first cub. Then in 2002 she bought Janda, who is now 12. Photo: The pair are best of friends. (Photo by Ruaridh Connellan/Barcroft Media)

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

Typhoon Yolanda – also known as Haiyan – struck the central part of the country November 8, 2013, leaving at least 6,300 people dead and over four million displaced. A month after Typhoon Haiyan, the United Nations Population Fund estimates that 5,000 women were subjected to sеxual violence. A study by the Health and Human Rights online publication shows the majority of young girls and women in Manila’s sеx industry come from poverty-stricken areas – such as Leyte, Samar, Cebu and southern Mindanao – and enter trafficking through force, deception, economic desperation and psychological manipulation. (Photo by Hannah Reyes Morales/The Washington Post)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)

Balloons are inflated at the Bristol International balloon fiesta in south west England August 6, 2015. Now in its 37th year, the Bristol International Balloon Fiesta is Europe's largest annual hot air balloon event in the city that is seen by many balloonists as the home of modern ballooning. (Photo by Toby Melville/Reuters)

Throughout the course of the long war in Afghanistan, Coalition troops have relied on thousands of military working dogs to help keep them safe, and make their jobs easier. The dogs are trained to detect explosives, to find illegal drugs, to search for missing comrades, or target enemy combatants. Not only are they active on the front lines, but behind the lines they serve as therapy dogs, service dogs, and loyal companions. They also share the same risks as the ground troops, suffering injuries and sometimes death on the battlefields. Gathered here are images of these dogs and their handlers in Afghanistan and back home, from over the past several years, part of the ongoing series here on Afghanistan.

New York-based visual artist and filmmaker Rä di Martino has taken a series of eerie and beautiful photos that capture scenes of abandoned Hollywood film sets. Martino spent over a year traveling throughout the desert towns of Morocco and Tunisia hunting down the old Star Wars sets, exploring these massive structures that stand almost like ancient ruins. “No More Stars” showcases the backdrop of Luke Skywalker's home on the fictional desert planet Tatooine. (Photo by Rä di Martino)