American actress Anya Taylor-Joy attends the Australian premiere of “Furiosa: A Mad Max Saga” on May 02, 2024 in Sydney, Australia. (Photo by Brendon Thorne/Getty Images)
Jasmine Entz gets a kiss from her Guinness Book of World Record-breaking 8-year-old Holstein steer called “Beef”, who weighs 2,400 pounds and stands nearly two meters (6 feet) tall, on her ranch in Vulcan County, Alberta, Canada, on Friday, September 26, 2025. (Photo by Jeff McIntosh/The Canadian Press via AP Photo)
A Syrian boy sells balloons as the sun sets over the Mediterranean waterfront promenade in Beirut, Lebanon, Saturday, August 23, 2025. (Photo by Bilal Hussein/AP Photo)
A woman wearing a kimono performs an uchimizu ritual outside a pachinko game parlor in Tokyo June 30, 2015. The splashing of water onto the hot asphalt in summer is an old Japanese tradition meant to cool down the air as the water evaporates. (Photo by Thomas Peter/Reuters)
The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)
A man dressed up as a "Catrin", a Mexican character also known as "The Elegant Death", is pictured during a Catrinas parade in Mexico City October 31, 2015. (Photo by Carlos Jasso/Reuters)
TV host/blogger Louise Roe attends The Weinstein Company's Academy Awards viewing and after party in partnership with Grey Goose at TAO Los Angeles at TAO Hollywood on February 26, 2017 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for The Weinstein Company)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)