Migrants, part of a caravan traveling en route to the United States, carry an anteater that was hit by a car, according to them, as they walk on the road that links Arriaga and Tapanatepec, near Arriaga, Mexico, November 5, 2018. (Photo by Carlos Garcia Rawlins/Reuters)

Rohingya refugee sisters Nur Kaida (R) and Ruhana hug each other at their shelter at the Palongkhali refugee camp near Cox's Bazar, Bangladesh December 21, 2017. (Photo by Marko Djurica/Reuters)

Ukrainian servicemen fire toward Russian troops with a tank at a position in Donetsk region, as Russia's attack on Ukraine continues, Ukraine on August 12, 2022. (Photo by Reuters/Stringer)

Elementary school sumo wrestlers compete in the sumo ring during the Wanpaku sumo-wrestling tournament in Tokyo, Japan on October 29, 2022. (Photo by Kim Kyung-Hoon/Reuters)

Mareya Wae U Seng of Thailand performs during Individual qualification and Individual team final subdivision 2 of Rhythmic Gymnastics final at the 19th Asian Games in Hangzhou, China, Friday, October 6, 2023. (Photo by Eugene Hoshiko/AP Photo)

Germany fans cheer after the 2-0 goal for Germany during the UEFA Euro 2024 football match between Germany and Hungary at the public football viewing area in Berlin, Germany on June 19, 2024. (Photo by Jörg Carstensen/AFP Photo)

A Cuban fisherman prepares to fish in a makeshift raft in Havana Bay on July 16, 2024. When the weather permits, artisanal fishermen take to the water in improvised polystyrene rafts to make up for the lack of means and fuel. (Photo by Yamil Lage/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)