A boy tumbles as he plays soccer on the streets of the Khayelitsha township in Cape Town, December 3, 2009. (Photo by Kai Pfaffenbach/Reuters)

A vendor sells beef at a market in Hanoi, Vietnam 01 October 2024. Vietnam's official manufacturing Purchasing Managers' Index (PMI) declined to 47.3 points in September, down from 52.4 points in the previous month, according to the latest survey from S&P Global. (Photo by Luong Thai Linh/EPA)

A model walks the runway at the Agatha Ruiz de la Prada fashion show during the Mercedes Benz Fashion Week Madrid at Ifema on September 12, 2024 in Madrid, Spain. (Photo by Juan Naharro Gimenez/Getty Images)

Erika Kirk stands next to the microphone which was used by Charlie Kirk at Utah Valley University on the day he was killed as she waits to greet U.S. Vice President JD Vance before closing out AmericaFest, the first Turning Point USA summit since the assassination of Charlie Kirk, in Phoenix, Arizona, U.S. on December 21, 2025. (Photo by Cheney Orr/Reuters)

An anti-government protester wearing a Guy Fawkes mask stands with a shield near flames from molotov cocktails thrown at a water cannon by anti-government protesters during riots in Caracas in this April 20, 2014 file photo. (Photo by Jorge Silva/Reuters)

Actress/Model Emily Ratajkowski's celebrates her 25th birthday at the private residence of Absolut Elyx CEO Jonas Tahlin on June 10, 2016 in Los Angeles, California. (Photo by Rachel Murray/Getty Images for Absolut Elyx)

Gerald Herbert is a staff photographer for the AP based in New Orleans, Louisiana. Before that he was a staff photographer for the Washington Times, the New York Daily News and a freelancer for the AP in New Orleans, Boston and New York. Photo: A worker grooms away tracks after an alligator crossed through a sand trap on the 14th hole during the first round of the PGA Tour Zurich Classic golf tournament at TPC Louisiana in Avondale, La., Thursday, April 25, 2013. (Photo by Gerald Herbert/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.