A black bull sarcophagus stands at Puri Ubud during the Hindu Royal cremation – also know as the Pengabenan – for the late Anak Agung Niang Rai, mother of Gianyar Regent, Tjokorda Oka Artha Ardana Sukawati, at Puri Ubud in Gianyar Bali on August 17, 2011 in Ubud, Bali, Indonesia. Niang Rai died in a Denpasar hospital in May; her actual cremation will take place on August 18 and will involve a nine level, 24m high 'bade' or body carring tower, made by upto 100 volunteers from 14 local villages. It will be carried to the cremation by 4500 Ubud residents. (Photo by Ulet Ifansasti/Getty Images)

Elements of nature are too powerful for humans to subdue, yet it didn’t stop the most courageous individuals from trying. Conquering air, land, fire, water, and even the very fabric of reality – this is the ultimate goal of humanity. For now, we can only marvel at the beauty and tremble in awe before the Mother Nature. A short film “Ocean Gravity,” written and directed by Julie Gautier and Guillaume Nery, reminds us of how small and insignificant a human body is, as it is being swept away by an ocean current. Nevertheless, it never stopped people from attempting to subjugate these unstoppable forces, and someday, maybe the humanity will come out victorious.

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

These pictures, made by Joel Strong, look as if a giant hand is pinching the head of a poor Leo. Leo, however, is oblivious to this fact and continues on with his life, taking on a role of everyone from an old granny to a young lady. Thanks to Joel’s skill and sense of humor, the cut out heads of Leonardo DiCaprio, taken from 90s magazines, fit perfectly into the new scenes. If seeing young Leo with a body of an old granny or a fat, half-naked guy in the park doesn’t strike you as funny, we don’t know what will. (Photo by Joel Strong)

The artworks that Alexa Meade makes are very unique and original. A usual painter creates a 2D or a 3D drawing on flat 2D surface. Alexa, on the other hand, draws over the body of a regular person, making them look like a 2D painting. The pictures of these people are almost uncanny, as you realize that the eyes “paintings” are real, and suddenly it dawns upon you that you are seeing a living and breathing human being. It is weird how we perceive this world, and how easy it is to trick our brain into thinking that it’s seeing a two-dimensional object. (Photo by Alexa Meade)

For centuries the Highlands peoples of Papua New Guinea fought over land, women and pigs. Sorcery and battle skills could elevate a clan to Bigmanship, where the bigger the “presentation”, the bigger the man. Clans therefore would paint their bodies and create fearsome masks as part of their psy. Here: These are the terrifying tribe of “mudmen” from a remote part of Papua New Guinea. (Photo by Jeremy Hunter/Exclusivepix Media)

In the spring of 1965, within weeks of 3,500 American Marines arriving in Vietnam, a 39-year-old Briton named Larry Burrows began work on a feature for LIFE magazine, chronicling the day-to-day experience of U.S. troops on the ground – and in the air – in the midst of the rapidly widening war. The photographs in this gallery focus on a calamitous March 31, 1965, helicopter mission; Burrows’ “report from Da Nang”, featuring his pictures and his personal account of the harrowing operation, was published two weeks later as a now-famous cover story in the April 16, 1965, issue of LIFE.

Photo: Man your battle stations: The crew chief of helicopter Yankee Papa 13, lance corporal James C. Farley, mans an M-60 machine gun during a mission near Da Nang, Vietnam on March 31, 1965. (Photo by Larry Burrows/Time & Life Pictures)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)