In April 2011 last factory in the world on manufacture of typewriters was closed. The epoch of typewriters has ended...

Photo: A model of a commercial typewriter from 1867. (Photo by Topical Press Agency/Getty Images). June 1923

Recreation time for the seminarists at St. Ignatius Loyala shrine at Azpeitia, Gipuzkoa (Guipúzcoa) in Spain. (Photo by Evans/Getty Images). 1955

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Retired 90 year old Frank Foss of St. Petersburg, Florida, with his home made banjo, made from a frying pan, a length of wood and some strings. (Photo by Fox Photos/Getty Images). 2nd July 1972

The Villarrica Volcano is seen at night from Pucon town, Chile, July 12, 2015. Villarrica, located near the popular tourist resort of Pucon, is among the most active volcanoes in South America. (Photo by Cristobal Saavedra/Reuters)

Two young boys kneel on stools on either side of a round table as one uses a match to this the other's cigarette, November 12, 1928. (Photo by FPG/Getty Images)

Armed forces veteran Frank Simpson at the Portico library being camouflaged by body artist Carolyn Roper in Manchester, UK on May 16, 2016 as part of the #CountThemIn campaign launched on Monday by the Royal British Legion. (Photo by Jon Super/Royal British Legion/PA Wire)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)