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New Illustrations In The Sky Between Buildings By Thomas Lamadieu

French artist Thomas Lamadieu, also know as Roots Art, must really love looking at the sky. Every time he looks up, Thomas sees a potential canvas where the building rooftops frame the sky. He photographs it and uses the odd sky shapes to create whimsical line drawings. “My artistic aim is to show a different perception of urban architecture and the everyday environment around us, what we can construct with a boundless imagination,” says Thomas. (Photo by Thomas Lamadieu)


See Also:Whimsical Sky Art by Thomas Lamadieu
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26 Apr 2014 11:43:00
A Pakistani boy who lives near by a brick factory, covers his face with a scarf to avoid a sand storm, on the outskirts of Islamabad, Pakistan, Wednesday, June 6, 2012. (Photo by Muhammed Muheisen/AP Photo)

“Muhammed’s work has received many international awards, among others Breaking News Pulitzer Prize of 2005 for covering war in Iraq, POYI, Picture of the year 2007, of Saudi Arabia of the Annual Muslim pilgrimage, best Multimedia of the Annual Israeli photo contest of 2007, honorable mention Atlanta photojournalism seminar of 2008 and photo of the year of the Annual Israeli photo contest of 2008 with two first prizes and two second prizes in different categories, two prizes in the Atlanta photojournalism seminar of 2009, 6 prizes in the Annual Israeli photo contest of 2009”. – Associated Press
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11 Aug 2014 11:22:00
Floralis Generica - Buenos Aires

Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture moves closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to it its six petals. Weighs eighteen tons and is 23 meters high.
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20 Oct 2013 18:32:00


A Funnel Web spider is pictured at the Australian Reptile Park January 23, 2006 in Sydney, Australia. The Funnel Web is one of Australia's deadliest animals, with a venom that is packed with at least 40 different toxic proteins. A bite from a Funnel Web causes massive electrical over-load in the body's nervous system. Finally, fatalities occur from either heart attack or a pulmonary oedema, where the capillaries around the lungs begin to leak fluid and the patient effectively drowns. Death can come as quickly as two hours after a bite if no medical treatment is sought. Due to advances in anti-venom, there has been no death from a Funnel Web bite in Australia since 1980. Australia is home to some of the most deadly and poisonous animals on earth. (Photo by Ian Waldie/Getty Images)
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25 Apr 2011 07:49:00
England's Longest Zip Wire Opens At The Eden Project

Marco Fiera from NoFit State Circus tries out the SkyWire, the new zip wire attraction which opens to the public this week at The Eden Project on July 17, 2012 in St Austell, England. The new 740m zip wire, currently the longest in England, allows the public a bird's eye view of the iconic Rainforest and Mediterranean Biome structures as well as the Cornish attractions outdoor gardens. The Eden Project – which opened in 2001 and has attracted over one million visitors – showcases 100,000 plants from around the world in two giant transparent domes, one of which is the world's largest greenhouse, each recreating different climate conditions. (Photo by Matt Cardy)
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19 Jul 2012 10:00:00
Humanoid robots compete in a group match of the 20th RoboCup in Leipzig, Germany, June 30, 2016. Thousands of participants from over 40 countries are competing this year in RoboCup 2016 with their humanoid soccer playing robots in Leipzig, Germany. “When established in 1997, the original mission was to field a team of robots capable of winning against the human soccer World Cup champions by 2050”, according to RoboCup. Now participants compete in five different soccer categories as well as RoboCup Rescue, which researches robotic effectiveness and usefulness to first responders. (Photo by Sebastian Willnow/EPA)

Humanoid robots compete in a group match of the 20th RoboCup in Leipzig, Germany, June 30, 2016. About 3,500 participants from 45 countries and regions compete in the robot world championship until 04 July. (Photo by Sebastian Willnow/EPA)
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02 Jul 2016 12:39:00
Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)

These ink-redible, explosive masterpieces are like say-what-you see inkblots tests only in water. The vibrant colors burst from Brian Tomlinsons works, appearing as though they may be coloured ash clouds from an erupting volcano, rather than simply everyday substances. By doing so, Brian challenges viewers to identify what images can be imagined when mixing one fluid with another. In order to shoot the series, entitled Liquid Ink Art, Brain, 40, drops different coloured inks into a fish tank full of water before capturing high-speed shots with a flash. Here: Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)
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15 Jun 2017 08:32:00
Issues tackled in the show include gender, wealth, consumerism, the environment, protest and identity building. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)
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22 Nov 2017 06:10:00