A caiman in the Pantanal region of Brazil in 2021. They are used to seeing humans, allowing the photographer, Leighton Lum, a close-up shot. (Photo by Leighton Lum/Caters News Agency)

An animal rights activist, wrapped in packaging labelled “carne humana” (human meat), participates in a protest against meat consumption to promote vegetarianism in central Barcelona, in Spain, May 22, 2016. (Photo by Albert Gea/Reuters)

Plastinated human corpses posed to look like poker players stand on display at the Body Worlds exhibition on April 27, 2011 in Berlin, Germany. The exhibition, which features human and animal corpses plastinated by Gunther von Hagens, focuses on the role of the heart. It will be open to the public at the Postbahnhof from April 27 to August 14. (Photo by Sean Gallup/Getty Images)

Human Connection Award: People and Planet Ocean – Winner – Steve Woods. A free diver interacts with a sperm whale among a cloud of sargassum weed, Dominica. (Photo by Steve Woods/Ocean Photographer of the Year 2022)

A talented portrait photographer has moved on from capturing traditional human subjects – instead photographing a stunning variety of wild animals. Brad Wilson, 51, stands just feet away from the likes of tigers, rhinos, elephants and primates. Each animal is given the same respect and dignity as any human subject, with Brad setting up a full photographic studio, either at or near sanctuaries and zoos across the U.S. The works are the second part of Brad's Affinity series, which the photographer – based in Los Angeles, California, first started working on in 2010. Here: Orangutan. (Photo by Brad Wilson/Caters News)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

On the November 24, 2025, children are making human faces by collecting fallen leaves in the forest in front of the Yuseong-gu Office in Daejeon. (Photo by Shin Hyeon-jong)

A sеx worker participates in a march to raise public awareness on human rights issues in their profession on International Day to End Violence Against Sеx Workers in Skopje, Macedonia December 17, 2016. (Photo by Ognen Teofilovski/Reuters)