Calling themselves the Gaza skate team, a group of young Palestinians get together to skate and rollerblade amid deprivation and high security. Here: Palestinian boys of Gaza skating Team rollerblade on a street in Gaza City March 8, 2019. (Photo by Mohammed Salem/Reuters)

Models and Caroline Scheufele, Artistic Director and Co-President of Chopard (C) pose during a photocall ahead of the Chopard Gold Party during the 68th Cannes Film Festival in Cannes, southern France, May 18, 2015. (Photo by Yves Herman/Reuters)

A view of the Sheikh Zayed highway in Dubai and some high rise buildings, November 8, 2007. (Photo by Steve Crisp/Reuters)

A girl lights a candle as she marks the anniversary of 2015 Nepal earthquake, at Boudhanath stupa in Kathmandu, Nepal April 25, 2017. (Photo by Navesh Chitrakar/Reuters)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)

A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)

Children stand in a boat at the banks of the polluted Yamuna River during a dust haze as they wait to give a ride to worshippers in New Delhi during World Environment Day June 5, 2010. (Photo by Reinhard Krause/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)